‘An absolute must,’ as Steve Barker writes in The Wire. ‘The main Attraction is the dubplate mixes of the Jah Shaka power play Jah No Parshall, here retitled Gates Of Zion. One astonishing dub mix features vocals from Prince Mohammed aka George Nooks in his early deejay guise. Chopped from the lyric and dropped into the chasmic dub mix, the phrase ‘heavy as lead’ would have made an apt title.’

A baker’s dozen of rare or unreleased dub instrumentals by Augustus Pablo at the height of his powers, mixed at King Tubbys.
First the set of Prince Philip dubplates from Digikiller, stateside; now this from Only Roots in France.
Biff!... Baff!
Knockout stuff.

Superb 1983 LP out of Channel One.

Roots anthem, produced by Tubby for Bunny Lee.

The Ethiopians’ Slave Call LP and two Freddie McGregors — Mr McGregor and Showcase aka Lover’s Rock Jamaica Style — plus a dazzling haul of singles from 1978, revealing Niney at the peak of his genius, and easily worth the dough by themselves.

Chicha is the late-sixties, in-thing scrambling of traditionally-demented cumbia dance music. Uncouth electric guitar and organ join the mix, with other electronic debauchery.

Staggering. Beautifully paced and varied, this classic compilation hasn’t aged a bit. Killer after killer, including numerous sides out here for the first time.

‘Vol 1 was mighty fine, presenting rare and deep recordings from Studio One’s mid-70s heyday. Hard to believe the Vol 2 is even better… As with all Soul Jazz material, the vinyl is heavyweight, with fine packaging and good liner notes. Reggae music doesn’t get much better than this: buy immediately and play loud’ (David Katz, Fact).
‘This will be hard to beat in the Studio One series in my humble opinion, amazing stuff. Too many good tunes on here to pick. Check this out you will not be disappointed’ (RYM).
‘Soul Jazz still crank out the best. Non-completist, non-purist, but always 100% killer’ (Mojo).
‘If anything, Studio One Roots 2 is even better than the first volume and has some superb (and rare) tracks’ (Record Collector).

Originally organized by ex-slaves fleeing the Haitian Revolution, only two Tumba Francesa survive in Cuba nowadays, combining African drums and French patois.

Mid-seventies Alvin Ranglin productions — an original LP, not a compilation — with the Revolutionaries deep in the groove, Sylvan Morris from Studio One at the controls, the Tamlins on backing vocals, and Deadly Headley and co chipping in tough brass.
Top Gregory, with classics like Jailer and Border.